Movie Review: Age of Ultron

When I was 7, my dad gave me a pile of his old comics from when he was a kid. I had Captain Britain, The Defenders, and Dan Dare amongst many others, and I had a lot of favorites. The character that leapt off the page at me though, the character that stuck with me ever since; was the philosophical, maniacal robotic arch nemesis of the Avengers, Ultron.

You can imagine how excited I was when Ultron was revealed as the antagonist in the sequel to Marvel’s immensely successful The Avengers. When his actor was revealed as James Spader, with his gravelly southern voice, I was at first skeptical. I was expecting the announcement to be of an actor with a famously recognizable voice, like Malcolm McDowell.

The moment I saw that first trailer, all my fears were put to rest. Spader’s commanding drawl is so perfectly condescending, intellectually superior, even bored sounding, it fit the character wonderfully.

From that moment on, going into this one, I was excited.

I was not disappointed.

With every step forward into Marvel’s Cinematic Universe, it feels more like the spirit of the comics. From the very beginning, we see the Avengers working together as a coordinated team battling their old enemies Hydra. It’s fluid, and fun and incredibly put together visually. Each member seems to have been developed since the last film, both in the way they function within the team, interacting with their fellow members, and how they act on a personal basis. We see a little more of everyone here, more personal scenes, more fight scenes, more everything.

Most of all, this is a character based movie. It’s wall to wall action, sure, but everyone has their moment of drama, and the dialogue is well written for pretty much every personality involved. It isn’t just Iron Man starring the Avengers anymore, every character has screen time on and off the field of combat. 

Not an easy feat, considering they are juggling five popular main characters, and some major satellite characters too. While Downey Jr’s Stark is still the funniest character in the film, with comebacks and dialogue so sharp and well delivered it almost seems improvised, there’s also great moments from the supporting cast, Don Cheadle’s War Machine standing out in his scenes by far. Conspicuously absent amongst the ensemble are fan favorites (and eternal girlbait) Agent Coulson and Loki, however.

There’s great scenes of casual interplay between the Avengers. The snappy dialogue in hectic combat is even better in casual situations, with great scenes of macho competition, honest flirtation, and scientific ambition. It’s difficult not to love each of the Avengers, with even the less focal ones getting great scenes here.

No time is wasted on early exposition, or introducing characters we already know. The setup is here and ready from point one, and it doesn’t take long for the main plot to kick in after the brilliant opening scene. During a celebratory party in the Avenger’s tower, the first form of the titular villain shows himself. 

At first I was taken aback by the frank quirkiness of Ultron’s dialogue. There’s no technobabble or stereotypical ‘robot character’ dialogue, he’s very human. He’s cocky, even funny. I realized that the character, a product of alien technology mixed with Tony Stark’s automated Iron Army program, has taken on some of Stark’s personality traits, and shares his cynical, comical side. It works. Ultron is an enjoyable villain to watch, he talks like Stark, with his constant megalomania and superiority turned up to eleven. His first scene, analyzing the simple flaws in the existence of the world as we see it, is just brilliant.

By instantaneous access to all the worlds information, Ultron goes from birth to master plan in a matter of minutes, so it all kicks off pretty soon from there on, with a globetrotting series of events pursuing Ultron across the world. The story is kinetic, never staying in one place for long. The Avengers are dragged through a series of trials, facing more new enemies in the Maximoff twins, not named as such here but better known to comic fans as Quicksilver and Scarlet Witch. These two are more enjoyable than I expected, having never been a fan of either before. With some acceptable neutral Slavic accents, they form the basis of Ultron’s cadre of main antagonists. Quicksilver snatching arrows out of the air with his super speed and Scarlet Witch bending the minds of our heroes to show them their worst fears. With a team of heroes as powerful as the Avengers, turning them against one another has long been the classic way to deliver a challenge.

Quicksilver’s inclusion will inevitably be compared to the characters recent appearance in X-Men: Days of Future past, and I have to say, regardless of some fun visual gags, he isn’t half as exciting here. In DOFP, we saw incredible use of the characters super speed in a variety of ways, Age of Ultron’s Quicksilver is just not up to that standard, although he is well performed and enjoyable to watch.

The twin’s inevitable heel/face turn is one of the movies short order points, in my opinion, a little brief, and they are awfully quick to ally with a character that was revealed in a prior monologue to be the source of a lifetime of constant fear and oppression for the two. Also, without the twins as sidekicks, Ultron is the lone antagonist for most of the films runtime, and as great a villain as he is, there’s something video-gamey about the Avengers battling an endless supply of identical robot drones. These large scale battle scenes, all inclusive of almost every character, are a visual masterpiece, certainly, but they don’t have the urgency or intensity necessary in a lot of the situations. We know any member of the Avengers will defeat a hundred of these enemies in a scene like this, so there’s no genuine threat there. The real joy in the films battle scenes come from other sources, like the brilliant punch up between a pissed off Hulk and the long awaited Iron Man Hulk-Buster armour. This one is fantastic. Hulk is his absolute finest here, made genuinely scary by showing us that he isn’t just the strongest thing on the battlefield, but that he’s fast too. Iron Man attempting to stop the rampaging green menace whilst simultaneously trying to protect the undefended city and the populace around them is just great, and will be the main event of the film for many viewers.

The Hulk has a lot of character development here, and along with Black Widow and Hawkeye, forms the Avengers that we see a much more intimate side of. An emerging romance and personal secrets  are introduced that we hadn’t previously seen, and it serves to remind there’s a lot more going on here than just saving the world. 

Speaking of which, the exact peril the world is in, isn’t as clear as it perhaps could have been. Exactly what Ultron’s plan was I felt wasn’t all that obvious until the films finale. It feels at times like the storyline is moving to a time limit we aren’t really seeing. It doesn’t make it any less fun, but the real feeling of tension generated by threat through the second act just wasn’t there.

The film’s final act introduces a major hero in the form of one of the comic’s most mysterious, enigmatic characters. If you’ve made it this far without knowing who that is, I don’t want to spoil it for you. I’ll say he’s played beautifully, with just the right edge of childlike wonder and enlightened gravity that the character needs, by a brilliant British actor who has long deserved a role so big. One perfectly played moment in his first scene had the whole audience cheering, and you’ll know it when you see it.

Age of Ultron may not be the epic entry in the MCU it could have been. It serves to develop characters and move the whole story forward rather than end anything or bring it all together, but it’s sharply written, well put together, and has some truly enjoyable performances by characters both old and new. There’s so much going on in the MCU, with developments in this film leading to at least 4 separate future films, and it’s hard not to want to get involved in all of them. It’s just like reading the comics, you can’t read only one, there's too much fun to be had by diving right into the whole world.

Super Special Dooptacular Doop Special.

There are many heroes in the Marvel Universe.

Characters that have captured the imagination of millions across the globe since before the majority of us were born. Spider-Man, Iron Man, The Hulk, Captain America. To name only a tiny fraction of the many and varied heroes that provide everyone with excitement, entertainment, even inspiration in their everyday lives.

But is there one amongst the legions that shines brighter than the rest? A hero so great we can all aspire to emulate? One amongst the Avengers, Earths Mightiest heroes? Or the Fantastic Four? A team held together by family and love? Is there truly a hero grander than all the others?

No. Just kidding. This article is about Doop.

'But just who is this Doop?' I hear you blithely ask, Ignorant of the absurdity of your question.

Those who are in the know are painfully aware of the floating little green potato looking thing lurking around the pages of Marvel comics. Just look at that lovable little green blob.

He's been kicking around since 2001, a (one can only assume off the cuff) creation of Peter Milligan and Mike Allred in their run on X-Force. You see Joe Quesada had taken over at that point, and various comics were getting overhauls. With British talent Milligan (Penner of some truly classic 2000 AD stories) writing and Madman legend Allred with the pencils, the team that emerged from the duo would turn out to be one of the most surreal in Marvel's history. They would come to be known as the X-Statix.

So what we end up with are a bunch of self-obsessed and morally deficient young heroes with powers ranging from wholly useless to ridiculously specific. They would be killed off left and right, act like immature idiots, and generally be a irresponsible team, albeit one of the most interesting there's ever been. Through the swiftly changing roster, one of the only standbys of the team is their cameraman. Or cameraperson. This little floating green potato that looked a bit like a stop halfway between Slimer and Gary Busey.

You could be dooped into thinking he wasn't important, and although ever-present, he never actually does all that much. But if there was a soul behind the body of the X-Statix, it would be green and Doop shaped. He floats around, rarely doing much more that getting footage of the team going about their business and sneaking shots up the female team-members skirts, occasionally spouting dialogue in a nonsensical wingding that is apparently unintelligible. 

So what exactly are Doop's powers? Who the hell knows? They're super-dooper, how about that? At one time or another he's shown evidence of super strength and resilience, transforming and enlarging his body, dooplicating items, something that seems to resemble creating pocket dimensions in his own body, energy beams, and just plain weirdness like taking himself bodily apart with no physical limitation.

Doopseak remains an enigmatic secret buried far deeper than anything in a Dan Brown novel. In universe, everyone seems to understand it of course, leading to baffling comedy in the reactions to whatever it is the little guy is saying.

In a crossover event with the Avengers near the end of X-Statix's run, Doop is taken hostage by Russian terrorists and turned into an atomic superweapon. Captain America makes a vague reference to something called 'The Doop Project' in the final days of the Cold War. Could Doop possibly be of Soviet Origin? Who the hell knows, we never hear any more on the subject.

That covers literally all we ever really discover about Doop. There's some vague allusions to relatives at one point, but they remain an unsolved mystery. Through thick and thin, Doop remains the  most stalwart member of the team. They send him to deal with a trouble-making prospective member at one point, and Doop does the kid in with an axe. Holy shit, that's some brutal stuff, Doop. He's capable of all sorts of things, including being an ordained Anglican priest and engaging in apparent sexual relationships with She-Hulk and Madonna. He palled around with Wolverine on a noir-style detective romp for a couple of issues, and one time the little guy went toe-to-toe with the Mighty Thor in a confrontation so calamitous it awoke the sleeping Valkyries of Asgard.

So how do salacious tendencies, mystical dialogue, a dooplicitous nature and some incredibly poorly defined powers combine into a cult character shadowing the margins of the Marvel universe?

Who knows, but when the X-Statix had their comic canceled (A criminal travesty as far as I'm concerned), every team member was apparently done to death in the last issue. The issue is chiefly focusing on the more vocal heroes of course, and Doop is seen in the background in one frame, lying sprawled over a chair with a nasty stomach wound.

Could the blob be done in so easily? Was that the end for our hero? Doopsday?

No chance.

Other members of Marvel's creative team took notice of that little chap. In an unrelated comic, somewhere in the multiverse, a passing child might be seen clutching a familiar looking green doll. Jean Grey had an awfully distinctive blob of a keychain one time. In an issue of symbiotic hero Toxin's self titled comic, a scrawl of graffiti in the background proudly reads: Doop Lives.

Was the little blob becoming an almost Christ-like figure within the ethos of the Marvel universe? Not quite, but had he subtly infiltrated the lines between? Indoopitably.

A few years later Doop resurfaced, alive and well, a mysterious entity discovered deep in space speaking in an all too familiar tongue. He reappeared in the Marvel universe not with a bang, but with a whisper. A simple reemergence unquestioned by readers who knew Doop not. Among other things, Doop went on an utterly sdoopid kung-fu adventure with Iron Fist, acted as a criminal investigator to the mutants of Utopia (Driving his victim to tears with an interrogation comprised completely of questions about French cinema) and appeared in a mutant romance special that was truly weird.

Since then, Doop has been appearing in the pages of every mutant based comic there is, apparently having found employment with the Jean Grey School for Higher learning. You'll see him at a desk in front of students, sleeping through one of his own lecture periods, or eating doughnuts in the staff room. He seems to be doing well in the teaching profession. Of course, Doop's employment as staff is purely a front for the real job at the school, that of an undercover security professional, looking out for the safety of the students, and rooting out trouble at the heart of the problem. Logan can count on his old buddy Doop to do what needs gettin' done.

That about brings us up to speed. Marvel NOW is in full swing, and creeping up on us very soon for some strange reason that only the correct alignment of planets could possibly have allowed, Doop is getting his own little limited series. Set during the events of the massive mutant book crossover 'Battle of the Atom' Doop is getting his own slice of the center stage after all this time.

Screw The Avengers, go out and buy your kids (or wife, boyfriend, grandmother, etc) some Doop. They'll love you for it.

You said it man.