There is something about the X-Men, be it the stories, the villains, the mature concepts and themes, that holds a special place in the heart for my generation more than most any other pop culture property. The scrappy, rough and tumble anti-hero Wolverine is one of the most persistently popular comic book characters of all time.
He's the favorite of millions, and his movie portrayal is one of the most beloved of any comic book character ever brought to the screen. Hugh Jackman's seemingly constant joy at playing the character has come through as enjoyable time after time, even if the films he's featured in have gone from great, to bad, to worse and back again in the last 20 years. When last year's Deadpool took the comic book movie, made it R-Rated, and walked away with the highest R-Rated opening week of all time, it was only a matter of time before the comic book names we really know took notice.
Logan is different in many respects from it's predecessors, but not different enough that it doesn't fit.
This film is the epilogue. The standing final chapter in the years and years that have passed since the goofy good vs evil of the X-Men's first cinematic outing. Logan is what happens after the spandex comes off, when all the old villains have been defeated, and the heroes have to live out their days. It's a film with a powerful reminder of mortality. Everyone, even superheroes, will grow old, and inevitably, no matter your heroism, everyone goes back to the dirt in the end.
Logan is a broken man, his seemingly timeless body suddenly aging, and his regenerative mutant powers becoming weaker day by day. The once infamous Wolverine is slowly being poisoned to death by the very adamantium that makes him so indestructible, reduced to working as a limo driver near the immense, nationally guarded US/Mexico border. There have been no new mutants born in over two decades, a dying breed swiftly becoming extinct.
Every penny he gets, Logan returns south of the border to bring to his last surviving allies, the malformed Caliban, and the feeble-minded shell of the man that was once Charles Xavier. Charles is kept locked away by his friends in a storage tanker to protect the world from the seizures that wrack his addled mind, his once incredible psychic powers now a dangerous uncontrollable side effect of a degenerative brain disease. Scraping together enough to keep Charles in his medication, and saving for the day when one day they can escape and leave the western world behind, is all that consumes the life of old man Logan.
However, a glimmer of the past greatness of Professor X remains, and in his moments of lucidity, Charles hears the whispers of a new generation, the echoes of young mutant minds somewhere out there, crying out in need. When Wolverine is approached by a mysterious woman desperately seeking aid, he realizes that it may be time once again to take up the unwanted mantle of the Wolverine, and be the hero this broken future needs one last time.
Logan is a believable, awfully close-to-home future dystopia. Set in the year 2029, it shows so many echoes of reality that it can be a touch disturbing at time. The excesses of the wealthy so close to extreme poverty, cultural oppression verging on genocide, deportation and the promise of a better world out beyond the border are all events we see the ancestors of in the news as we speak.
This dark and truly adult film shines brightest in the main characters, and there are some performances here that are an absolute joy to behold. The aging titular hero and his mentor form a duo here that is probably better played than ever before. Logan is an honest, lovable, yet tremendously flawed hero, nuanced and complex. Patrick Stewart returns to the series to play the absolutely gripping, heartbreaking side of Charles Xavier we never thought we'd see. New protagonist Laura, the fulcrum of the film's plot, is one of the best child performances I've seen in years, her unfortunate character equal parts fun, frightening, and very moving. New faces, like the albino mutant tracker Caliban, and the villainous G-man Donald Pierce, fade a little into the background in comparison to the brilliant main characters, but there are no bad performances to be found.
The film does not shy away from using it's R rating thoroughly, be warned. You're not taking your kids to watch Logan leap around in spandex fighting Magneto this time. Logan rips through people with a glorious, shockingly graphic abandon here. In my viewing the audience was audibly shocked to gasping during the first fight scene. It is brutal, it is bloody, and it does not hold back. The very concepts of the movie itself are also of a more mature tone than you'd normally find in superhero properties as well. Real world themes of discrimination, child abuse, and persecution of the underclasses are all dealt with here. Also getting to hear Professor X say 'fuck' is a moment we've all been waiting for without knowing it.
If there's anything Logan lacked, in my opinion, it was a strong villain. With a hero as grand as the Wolverine, you need someone for him to go up against that matches him for strength as well as personality, and the latter was severely lacking here. It's a new story, only tenuously connected to previous entries in the X-Men franchise, but the big part of me that was aware it's the last one, really wanted to see a final showdown between Wolverine and his timeless nemesis, Sabretooth.
Logan might not even really be considered a superhero movie. It's a dystopian road movie, closer to the likes of Mad Max or Book of Eli than to X-Men. It's dark, and might be unforgivably so for some viewers. Part of the charm of comic book heroes is, they stay the same heroic age forever. We don't want to see our heroes get old, it feels too real. Logan will take your previous impressions of the X-Men characters and take them places they have never been before, and if you can handle it, it's one of the best films the genre has ever produced.
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